On the evening of April 21^st, the Bai'etan Greater Bay Area Art Center in Guangzhou was illuminated for the first time, symbolizing a new chapter in cultural enrichment. Designed by the team led by He Jingtang, an academician at the Chinese Academy of Engineering, the center stands as a beacon of cultural significance, integrating the Guangdong Museum of Art, Guangdong Intangible Cultural Heritage Exhibition Center, and Guangdong Literature Museum. Rising 78.5 meters high with 11 above-ground floors and 2 underground, the center embodies the essence of "Bai'etan's artistic charm and the picturesque beauty of Yunshan."

Highlighted by the "Time Archway," which seamlessly connects the three venues, the architectural marvel resembles a majestic white "cruise ship" set to embark on a journey of cultural exploration. Recognized for its innovative design, including the double-decker connecting corridors spanning the riverbanks, the center has been awarded the prestigious China Steel Structure Gold Award for its engineering excellence.

Situated in the vicinity of Guangzhou's historic Thirteen Hongs district, the nearly 360-meter-long "cultural cruise ship" harmonizes with the surrounding landscape, complementing landmarks such as the White Swan Hotel, Taikoo Wharf, and Shamian Island. Across the Pearl River, it resonates with iconic cultural and tourist destinations like Zhujiang New Town, the Canton Tower, Guangdong Museum, and Guangzhou Opera House. The building embodies both the rich heritage of the Maritime Silk Road and a forward-looking cultural skyline.

He Jingtang emphasized that Guangzhou's topography has shaped its unique urban layout, characterized by the interplay of Baiyun Mountain and the Pearl River. Drawing inspiration from Lingnan architecture and considering climatic factors, the design integrates elements for shading, ventilation, heat insulation, and moisture resistance. Rooted in the cultural heritage of Lingnan traditional architecture, the art center is well-ventilated and open, inviting citizens to freely explore its interconnected spaces and platforms. The design seamlessly blends indoor and outdoor environments. From the vantage point of the third-floor arches, visitors can immerse themselves in the beauty of both indoor exhibitions and panoramic views of the majestic Pearl River.

Source :Yangcheng Evening News

何镜堂解析白鹅潭大湾区艺术中心建筑设计

4月21日晚，广州白鹅潭大湾区艺术中心首次全面亮灯。珠江之畔，鹅潭之滨，一艘洁白温润的文化巨轮扬帆远航。白鹅潭艺术中心由广东美术馆、广东非物质文化遗产馆、广东文学馆共同构成，高度为78.5米，地上11层，地下2层。

该艺术中心由中国工程院院士何镜堂团队领衔设计，建筑设计取“鹅潭写意，云山艺境”之韵味，通过“时光拱廊”将三个场馆连为一体，形似一艘即将启航的白色“巨轮”。横跨两岸的重量级超限大跨度双层连廊提升工程，荣获了中国建筑钢结构行业工程质量最高荣誉——中国钢结构金奖。

这艘长近360米的“文化巨轮”位于广州“十三行”所在地白鹅潭一带，与沿岸的白天鹅宾馆、太古仓码头、沙面等景观交相辉映，又与珠江新城一带的广州塔、广东省博物馆、广州大剧院等文旅地标隔江呼应。它既有深厚的海丝文化底蕴和商贸基因，也勾勒出面向未来的文化景观天际线，营造千年商都新地标，激发滨江都市活力。

何镜堂表示，广州的地形地貌造就了“云山珠水”的城市格局，受气候影响，岭南建筑在选材上对遮阳、通风、隔热、防潮有一定要求。我们从很多广府建筑中可以发现，广州人喜欢室内外相融合的居住环境和生活方式。白鹅潭艺术中心根植岭南传统建筑的文化基因，凸显开放、通透的特点。市民可以从广场自由进入三个场馆，场馆之间建有平台联通，与室外环境相融。市民通过视角的转换，既能近距离欣赏室内展陈效果，也能在三层拱廊的最高处远眺绝美江景。

策划 | 陈桥生 林洁
统筹 | 邓琼 侯恕望 黄建隽
执行统筹 | 朱绍杰 麦宇恒 尹锋峰
文 | 记者 梁善茵 朱绍杰 周欣怡
图 | 记者 钟振彬 梁喻（除署名外）
译 | 刘佳慧